As John, cutie Taron Egerton takes us on a wild journey through John's childhood, early starts in playing for other musicians, and his eventual rise to superstardom.
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| Rocketman's dreamy Troubadour scene |
The floating magic moment when it all clicked for the singer-composer is only one of many dreamlike fantasy musical numbers that recall the rock and pop music-filled films Across the Universe and Moulin Rouge.
John's LA debut at The Troubadour is recounted in this sweet article in the LA Times.
Variety compares box office and the PG versus R ratings of the two rock biopics.
And the GQ review takes the film to task, yet admits its success in comparison to the Queen biopic:
"In the same way that Bohemian Rhapsody presented the superficial, sanitized version of Freddie Mercury—the one that the living members of Queen wanted the public to see—the Elton John we get in Rocketman seems cleaned up and doctored to be a movie subject."
I'm not sure how 'cleaned up' it is, with a musical orgy and the coke-snorting addiction depicted in Rocketman. For a wonderful account of more real events in John's life compared to the film, read the Time Magazine feature.
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| Rocketman vs Bohemian Rhapsody |
Like Bohemian Rhapsody, we see a gay man face his inner conflicts and the ups and downs of the closet. Both have seemingly obligatory orgy scenes, with BoRhap's limited to a murky leather bar. Rocketman's dance club "sexy" nightclub scene approaches a camp level of the Canadian cult classic The Apple.
In this Daily Mail feature, Elton John and director Dexter Fletcher (who filled in for Bohemian Rhapsody when Brian Singer flaked) discuss the 'realness' of the story amid all the wonderful musical numbers choreographed by Adam Murray.
Unlike the story of Mercury, whose sexual exploits are kept mostly off-screen by the prudish script of Bohemian Rhapsody, John's fantasy biopic gets a passionate and realistic yet brief love scene amid all the dreamy music numbers, which are intentionally out of order. Time magazine recounts the anachronisms and inspirations.
John's dilemma is more about his addictions and eventual recovery. Mercury's biopic leads up to his anachronistic HIV diagnosis, while John's strangely doesn't even mention AIDS (despite his later generous philanthropy with his AIDS/HIV foundation). Still, he survived, which probably had more of an effect on his cinematic story's depiction of his life.
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| Elton John at Outside Lands 2015 |
But what if (gods forbid) John had also died of AIDS, a cocaine-fueled heart attack or via the party pool attempted drowning scene depicted in the film? Would we listen to his music differently, as we do with Mercury, Price, David Bowie and so many other lost artists?
The New York Times recently focused on classical composers lost to AIDS. A score may survive, but one can't imagine the symphonies lost when gay artists die too young.



