Still Standing: Elton John's living legacy, and other music lost and found

Fans and critics are raving about the creative and mesmerizing Elton John biopic Rocketman, and comparisons to other rock star movies have led some to say it's what Bohemian Rhapsody could have been. Seeing the film with a musician pal and an appreciative audience at the historic Castro Theatre in San Francisco led me to recall how Elton John's music shaped my piano-playing as a teen, almost as much as the music of Queen. Freddie Mercury and his band's music took precedent as an inspiration for my sixth novel, Now I'm Here. But now I regret not giving Elton enough devotion.

As John, cutie Taron Egerton takes us on a wild journey through John's childhood, early starts in playing for other musicians, and his eventual rise to superstardom.

Rocketman's dreamy Troubadour scene

Among the best scenes are the dramatic and fantasy-styled moment when John's American debut at LA's Troubadour nightclub wowed new fans almost overnight. 

The floating magic moment when it all clicked for the singer-composer is only one of many dreamlike fantasy musical numbers that recall the rock and pop music-filled films Across the Universe and Moulin Rouge.

John's LA debut at The Troubadour is recounted in this sweet article in the LA Times.
Variety compares box office and the PG versus R ratings of the two rock biopics. 
 And the GQ review takes the film to task, yet admits its success in comparison to the Queen biopic:

"In the same way that Bohemian Rhapsody presented the superficial, sanitized version of Freddie Mercury—the one that the living members of Queen wanted the public to see—the Elton John we get in Rocketman seems cleaned up and doctored to be a movie subject."
  
I'm not sure how 'cleaned up' it is, with a musical orgy and the coke-snorting addiction depicted in Rocketman. For a wonderful account of more real events in John's life compared to the film, read the Time Magazine feature.

Rocketman vs Bohemian Rhapsody

I've Seen That Movie Too
Like Bohemian Rhapsody, we see a gay man face his inner conflicts and the ups and downs of the closet. Both have seemingly obligatory orgy scenes, with BoRhap's limited to a murky leather bar. Rocketman's dance club "sexy" nightclub scene approaches a camp level of the Canadian cult classic The Apple.

In this Daily Mail feature, Elton John and director Dexter Fletcher (who filled in for Bohemian Rhapsody when Brian Singer flaked) discuss the 'realness' of the story amid all the wonderful musical numbers choreographed by Adam Murray.

Unlike the story of Mercury, whose sexual exploits are kept mostly off-screen by the prudish script of Bohemian Rhapsody, John's fantasy biopic gets a passionate and realistic yet brief love scene amid all the dreamy music numbers, which are intentionally out of order. Time magazine recounts the anachronisms and inspirations.

John's dilemma is more about his addictions and eventual recovery. Mercury's biopic leads up to his anachronistic HIV diagnosis, while John's strangely doesn't even mention AIDS (despite his later generous philanthropy with his AIDS/HIV foundation). Still, he survived, which probably had more of an effect on his cinematic story's depiction of his life.

Elton John at Outside Lands 2015

Song for Guy
But what if (gods forbid) John had also died of AIDS, a cocaine-fueled heart attack or via the party pool attempted drowning scene depicted in the film? Would we listen to his music differently, as we do with Mercury, Price, David Bowie and so many other lost artists?

The New York Times recently focused on classical composers lost to AIDS. A score may survive, but one can't imagine the symphonies lost when gay artists die too young.

Everyone Dies: Games of Thrones, fan disappointment and delusions in fiction and fantasy

On this rainy Saturday, while I'm looking forward to this evening's plans, I feel, like many others, a sense of dread and worried anticipation for the series finale of Games of Thrones tomorrow night. Fan outrage over the last episode has reached such a tumult that nearly 700,000 people have signed a petition demanding a re-shoot of their favorite TV show. 

It sounds completely absurd to non-fans, but there's a reason for it. I'll explain, and of course tie in concerns about the comparatively tiny yet related themes in my novels.

First off: massive spoiler alert. If you're at all aware of pop culture and entertainment, you know that the last episode featured 'Mother of Dragons' Danerys Targaryen taking a 'mad' turn by ignoring the tower bells that signaled the surrender of the army at King's Landing. In a seemingly abrupt move, Dany foists her fire-spewing dragon over the city, killing soldiers and citizens alike in a violent spectacle of destruction. Several characters die dramatically or disappointingly. Arya witnesses the destruction and mass deaths on ground level, and Dany and her dragon are removed from close focus to become a flyover horror.

Self on a Shelf: Interabled Relationships, Queen movie's censorship, and other not-yet-abandoned topics in my novels

Bohemian Rhapsody in China = NoHomo

How long after an artist has fully explored a topic that they care about should it be abandoned, or put on a shelf? 

Granted, my novels will always be about gay men and the depiction of their humanity. But the specific themes and interests have to be stored and cherished, then put on a mental (and actual) side shelf to make way for new exploration, unless you're the kind of artist who continually explores the same themes; not that there's anything wrong with that. It's just not my style.

Allow me to touch on some of my recent novels' themes. I'm going against all the author tips for discussing one's art while trying to lure in a few sales. "Write short quick blogs! Tweet funny memes!" Nope, a few long rambling essays a month or so is where I'm at.

Flick of the Wrist
While finishing Now I'm Here, my sixth novel, I immersed myself in Queen's music, even made a chapter-by-chapter playlist. As the recent awards season proved, the film Bohemian Rhapsody was a crowd-pleaser, despite having warped the life of Freddie Mercury into a truncated and myopic tale.

Nevertheless, I piggybacked on the film's release and success as a tie-in for the novel, which includes the main characters Joshua and David attending a Queen concert, and a lead character who gains fame with his solo versions of "Bohemian Rhapsody."

Fight Back Club: how Star Trek: Discovery's Hugh Culver helps us remember the future

"If Memory Serves," the eighth episode in Season 2 of the amazing Star Trek: Discovery, not only recalls the earliest of days of the show's legacy, but along with a thrilling multi-layered story, reminds us of how LGBT people recover after the 'death' of violence.

While viewing the episode, I had an epiphany, which I'll explain. But first let me go back, or forward, if you will.

I have an enemy. I will confront him again.
Perhaps you do, too, that one most evil soul who assaulted you, or betrayed you beyond explanation. A gay-basher, an abusive partner, a violent authority figure with weapons and power who dragged you off at a protest, or for no reason other than being Black, or gay, or transgender, or poor; a former employer who sabotaged you, a judge who disdained and sentenced you in one way or another.